2017 repress! 01am is the perfect time to start a party and it is the first release of a new label by afrobot related to his afrobotic musicology blog. the record contains 4 edits of music from different corners of the globe: to begin with an epic electro pop nugget from greece and a heavily cut up bollywood track on the a side, to finish the journey in africa on the flip side with a percussive acid jam and a zulu cult song that screamed for a rework. limited edition / hand stamped artwork by frank koedood on the sleeve.

aelfric michael avery has been a self-reliant artist for a long time. the canadian producer has been exploring underground acid and rough, homemade techno since releasing his first material as avery monarch back in 1994. however it wasn’t until more than ten years later that his music would surface again on his own napalm enema label. napalm enema has also carried work by the likes of faltydl, paul blackford and mrs jynx. avery has released just as much music under his acid elf guise, most notably appearing alongside +10 acid crew (jodey kendrick) for the sought-after bruvs acid ep, and now the alias makes a welcome return to vinyl with four essential tracks from the archives. there’s a subdued, hypnotic and delirious quality to the productions on this ep for arma, ranging from the uneasy delay pulses of fetus to the metallic clamour of urban wasteland, but most importantly they’re all injected with a distinctive personality that stands apart from the 303-tweaking masses.

this record definitely takes a bit more of a layered approach - natan h offers us yet another unique, immersive, and charismatic release for acid camp records. acid camp records is rolling through again, this time with an artist known for his atmospheric and cosmic-oriented tracks, natan h. conveying inspiration for this record, just a little nod to extrasensory experiences and perception, is undoubtedly fitting for acrs second release. the opening track, atmosphere, breaks away from 4/4 timing with o-kilter drums that traverse into a heavier beat, pushing the track forward just to bring it right back at the end. followed up with a remix from techno serialist, conforce. through his use of a low pass filter, polyrhythms, and fervor conforce delivers a track nothing short of the prototype for driving techno. remote view pt. i turns out an ambient break and taking the listener to a space of the ethereal and planetary. the ep closes with remote view pt. ii, which incorperates layers of hi-hats, delayed strings, and synths that alternate throughout the arrangement in syncopation.

slacker aka sam black’s works have been simmering away online for a while now, creating a fair bit of buzz centred around his knack for choppy breaks, crunchy acid and rough production edges. amen to the lonely finally sees the young bristol producer step out of the simulation and present four raw heaters from the hd.

brand new transatlantyk release contains elusive synth works of sasha zakrevska aka poly chain. she likes to call herself a ukrainian ambient chavette and the title of her debut album is a tongue-in-cheek spin on eno s classic. music for candy shops is much more sticky and syrupy than its famous predecessor though. in every track on this record poly chain s rich and warm synth textures are glazed with another layer of radioactive sweeting. from atonal melodies on top to occasional spicing in form of odd reverbs, delays and drum sounds - it s all there. let me tell you straight up: this candy shop serves some weird sort of sweets, inducing hallucinations, anxious feelings of omniscience and transcendency. use with caution! available as a 200 copies only vinyl lp

gunnar returns with scale no flam, his first 12inch single for the label. scale no flam is both a love letter and a demonstration of why he cant stop getting lost in the sound. according to gunnar, acid is just one of those things that creeps into your life and consumes everything around you - a psychedelic and textural approach to music that is simultaneously intense and smooth.

frankfurts favourite roman flu&#776,gel returns to phonica records with the black acid ep, a four tracker of flu&#776,,,,gels signature black magic.

this is the return of sfv acid??s smooth and elastic funk as the single-edition jazzchamber ep, previously released with the doep 12 inch combo. three outright killer tracks on a black 10 inch with a risograph printed inlay designed by sfv acid himself and a bright blue innersleeve and chrome sticker by the bakk summer specialists.

seth troxlers taste-making play it say it label continues to set its own agenda with a fantastic new doublepack / mini-lp from frenchman the mekanism. featuring eight club focussed cuts, this compendium follows up the essential acid love ep released on this label back in 2015. parisian dj/producer and rinse fm france star damien roussel is well known to those with their ear to the underground house scene. he has been djing for more than a decade and puts out his choice cuts on labels like berlins exploited, londons needwant and leeds 2020 vision as well as on play it say it of course. looking back to chicago but also forward into his own sonic realms, he is a fresh producer with plenty to say for himself, and this expressive new release proves that.

late last year music for dreams released the digital album -debut- by bongo entp. this passion project from veteran studio session player jacob andersen brought us an unexpectedly fresh take on south american music traditions. on this new vinyl release, the project is both revisited and expanded upon. cherry picking some of the grooviest cuts from the album for this ep, we also get remix treatments from well sourced collaborators selvagem & carrot green. both hailing from brazil, these producers certainly know how to work latin percussion on a dancefloor. taking on the dreamy cover version of henri mancini’s classic -lujón- (original included too), carrot green ups the tempo and wrangles the elements of the original into something completely different. adding a house kick and dark acid undertones, he takes you on a wet trip with lots of twists and turns. the production duo of selvagem manage something similar with one of the looser bongo entp. jams. the original -foto feita do aviaõ is a jazzy scat sinaalong tune. in selvagem’s hands, it turns into an epic cosmic disco groover, locked into place by a muscular baseline. the vocal chants of the original are here, but used in a lower key and more sparingly to punctuate the bounce of the rhythm. the vinyl includes two other album highlights - the cafe del mar classic -el rey de pollo- , a santana-style chill-out affair featuring mikkel nordsø of bombay hotel fame and finally the moody -spanish winter- with its robotic reggae-like groove and syrup-thick synthesizers bubbling in a bittersweet fashion. a superb package.

almost 20 years later, the fog is remixed and will be re-released on limited edition vinyl.
junk project are the masters of trippy acid techno for over two decades now. they placed their unique signature on the fog and the result is a deep driving acid techno burner.
oliver kucera’s remix takes no prisoners and he busts out a fat 909 and 303 sound.
belgium’s long time producers trax x vs sinesweeper need no introduction. their large number of acid releases set fire to many dancefloors and their remix of the fog is no exception.
last but not least, roger van lunteren s remix takes it to a more relaxing level. drift away on the deep detroit sound of the early days.

matrixxman has been a dekmantel regular for a couple of years now. the san francisco producer continues to impress with a new triptych for dekmantel records. over the course of three eps (rhythm, acid, polyphony), charles mccloud duff displays his versatile and original take on house and techno. the concept of the triptych is to explore the range within the confines of a particular limitation. this second ep sector ii: acid- shows an exercise in acid. similarly, the tb-303 may conjure certain knee-jerk reactions at a glance, but acid has the potential to cover a broader palette of emotion than one might initially expect. sector ii holds three squirming 303 sequences and the classic rhythmic drum programming of arrival, bad acid and i am matrix. rites on the other hand is more subtle and fluent, swinging with hazy acid flourishes and dynamic syncopation.

oakland-based dj/producer (100% silk / as you like it) teams up with fellow bay area fixtures cm-4 & jason kendig (honey soundsystem) for an ep of banging melodic tracks straddling the line between house & techno + a touch of acid.

after an ep on creme organization off-shoot jericho one as dj plant texture, dona basile now assumes his dona alias for a new ep on the main label. entitled the v.g.p sessions, it features four new cuts from the italian, with three of them being dj pt mixes. up first is a live cut version of energia , a bristling electro track with globular bass and coarse hits. turbulent but full of synth based serenity, it is a fine start. cigarettes (djpt mix) is rugged and broken, with glossy idm synths and corrugated drums all loosely arranged into something prickly and unsettling. the deads at twelve (djpt mix) then gets even more fucked up, with rusty synths and blown out drums making for a dystopian house groove that will likely soundtrack the apocalypse. last but not least, nr. 13 (djpt mix) mixes up detroit synths, wild acid, heavenly chords and chopped up, buried deep vocal samples into something that will fire every synapse in your body. this is outlier stuff from dona that sounds like little else.

step up house running, a label making its first steps with this release, welcoming some new talent into the fold and making a strong first impression in the process. tell keeps things deep with the undulating warmth of floating lands, while meemo has a fractured soul mood hovering over therez. baltra s paris la nuit is a more feisty affair with its gnarly, acid lead line but it s balanced out by a fun and funky disco flair, and then kianis virunga rounds the record off with a lovely arpeggio-powered remix of deceds sound curiosit-.

after a year ride between return to disorder, contort yourself and new york haunted, the hamburg based duo fallbeil debuts on death of the machines. tune in the incredible electro/acid razor the healer, also available in the b side with a distorted and industrial influenced version by innsyter aka fernando seixlack, already smashing it for l.a. club resource. the 707-electro-driven extra b side track voice of thunder is completing the pack. just killer. tip!

after a first collaboration focusing on the city of angels, la legend john tejada and acid innovator tin man (johannes auvinen), this time brooding on the latters home city, and formers birthplace, vienna. the austrian capital is known as the city of music and the city of dreams, two broadly aligning concepts that go far in describing this beguiling 12-inch. the four songs were mixed down live to 2 tracks, created in the real world without a daw, or multi tracking, which has really captured the spirit of performance and improvisation. succeeding railjet, a tense drum workout, comes bim, referring to the colorful trams that run through vienna. here, auvinen sculpts his 303 into near-pizzicato form. the acid box is accompanied by stately pads making for one of the duo’s most memorable tracks yet. the next cut, danube nights, references the mighty, ancient river, the flow motion mirrored by a couple of widescreen acid lines. a pensive lead and some melancholy chords emerge, but the drums roll right along like the water- tough enough for a heaving floor with a hint of fragility for the headphones. the record concludes with the acidic prater allee, named after idyllic, sprawling park on the banks of the danube. the duos love letter to vienna is well-suited for travel, for the dance and for dreaming.

lake people, the man with a knack for aural subtleties, is spot-on with his first ep for uncanny valley. over the course of four tracks he showcases a quiet different approach compared to the sophisticated house music the leipzig based artist released on labels like permanent vacation or connaisseur recordings. on -break the pattern- he relies heavily on the good old boom tschak-paradigm of electro, without completely giving up his trademark sound. -level msk- combines staccato-type chords with a stuttering beat that stick in your mind. the acidic -september futuristic- with its stoic drumming has almost a krautrock feel to it. on the flipside, the playful -chords in chorus- feels like an early contender for this year s summer anthem with chords and acid lines from heaven. the ep closes with -pull off-, a perfect example for lake people s ability to compose tracks with an emotional depth.

tin man drops a series of six twelve inches with some hot juicy liquid acid tracks in his welknown style.... hypnotic, trippy, ultra seductive and addictive tracks! hot stuff for these cold winter days!

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 2 of 6 limited releases by the tin man!!

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 3 of 6 limited releases by the tin man!! e1 undertow acid f1 drenched acid f2 oily acid

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 4 of 6 limited releases by the tin man!!

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 5 of 6 limited releases by the tin man!! i1 washing acid j1 diving acid

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 6 of 6 limited releases by the tin man!!

dj t-1000 drops 4 classic hard-edged cuts of pure detroit techno on third ear. born and raised in detroit and based in berlin dj t-1000 is alan oldham, owner of detroit labels generator and pure sonik, and a gifted techno dj. also an accomplished graphic illustrator, known globally for his iconic artwork for djax-up-beats, +8 records, transmat, astralwerks and many other electronic music labels, including third ear. alan did the artwork for the defenders of the deep house world ep curated by mike huckaby, and he has done the artwork for his third ear ep also.

acid techno label from mobile dogwash. pressing on transparent red vinyl.

banging acid techno with a cheeky edge.

lossless releases # 004, 005 & 006 all bundled up for one special price!

af is introducing echo 106 to the family and fans of analogue techno should investigate. the swiss duo debuts on analogical force after many fine releases on lux records, jamal moss co-op mathemathics and appearances on brokntoys or 030303. shifting multiverse ep is one of the strongest released by the schn

here it is, the 12th disc on hotline recordings, ringing off two wicked & wild dancefloor abstractions from none other than gantz.
tut-tut situation has been doing the rounds on dubplate for some time now, with the bandulu massive, commodo, etch and the likes giving this one big support from day one – we’ve seen dancefloors bruk out like a bunch of confused nutters to this one… it’s a certified soundsystem banger for wrong’uns.
on the flip, gantz comes with a new direction of style, dipping into the acid-drenched rave sound of the 90’s with his own set of information. rugged, distorted rhythms grind up against an infectious melody and love’d up vocals, once again, this is proper party gear for all twisted minds (and legs even).

elliott thomas, aka etbonz, portlands prodigal son, touches down for the first time on loveon the rocks with my kinda future. etbonz, the lovechild of buckaroo banzai and thetalented ellen ripley, utilises the latest krystalvision technology over this eleven and a half minute opus to bring you to the edge of a future where maybe, just maybe, arnold didnt kill the predator.. where some wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favourite head up against the barroom wall, looks you crooked in the eye and asks you if you paid your dues. where you cant even get to the chopper, because kurt russell is in the cockpit with a head full of acid, wearing a hat made of drum machines. should we check it out? or just check into a psycho ward? whichever comes first, huh? its a kinda future that leaves you asking yourself, if i am not me, then who the hell am i? am i prins thomas? what is a diskomiks? you ever fuck a mutant? tall guy, weird clothes. first you see him, then you dont. the best mindfuck ever!

los angeles based acid camp records launches now with its debut release, simics: corot-7b. the seattle-based artists full-length ep, features four original tracks along with a remix of the records single corot-7b by john tejada.

nice price deal !!! for the 6th polybius release we have another combo ep with the model (adult central / underline / gigolo) and posthuman (uk / i love acid / balkan vinyl) for what will be the 2nd on the split project’s serie.

perseus traxx makes his debut on hissmans hardmoon london imprint with a unique set of acid-free sonic experiments.

bleep. easily one of the most influential sounds to grow out of the burgeoning electronics scene of the late 80s. nowadays, easily one of the most overlooked genres. but not around njimgen. shipwrec are turning some deserved attention to those pioneering plinks and plonks for a 12- homage to the trailblazers of the sound, lfo. quadratschultz provides the material, the german artist serving a warehouse brewed, acid spiked, tribute to mark bell and gez varley. posthuman ruffle the edges that bit more with a bleary eyed 303 monster before countryman fah gives basslines a steroid injection for a thick and meaty mix. varley closes with a tribute to his former group. his lfo remix might be a solo endeavour but it has all the raw unrefined dancefloor energy that characterised the music of a certain pair of young lads from leeds cerca 1990. bleep bliss.

excellent repress action from this huge album !!! very rare

irish producer leonid is welcomed on board of the itdr spaceship for their second installment. after putting out impressive releases on sistrum and dolly (to name a few), paul smith comes up with a stellar 4 tracks ep cut for clubs dancefloors. landing deep in planet x analogic territories, you will find leonid distinctive acid grooves fused in heavy basslines with amazing percussion work for a mystic journey across nibiru s galaxy.

third wave of acid avengers, introducing this time umwelt and v_3.378.

scorched, extended, brutal analogue acid jams from andrew red hand! absolute fire and brimstone production with live take bursts of insane drum action and bubbling, crusted acid lines.

i walked by night is a new label created with the ethos that comes from the foundations of any good resident dj, that of good selection. label boss krysko, who has held residencies for over 16 years, brings his experience to his new label. the debut release comes from tristan grace, a uk based artist (aliases - oe & prime time crew). raised propping up record store counters on the south coast since his early teens, now lives pretty isolated from current club culture. nothing beats being in the storm of a dance floor, but being able to step away from the pull and draws of the scene allows him to diarise his occupational exposure through trax. inspiration from the motor city and acid sound lies at the heart of what he does. influenced by rolling green hills, and surrounded by the analog soul of his machines - he has an addiction to vintage machines of asian origin, valves, and its fair to say, he lives his life in 16 step sequence. the furse ep moves across the width of his sound, and this being his debut release on i walked by night, there will be many more to come.

the white man & the arab return with their fifth release, the exchange ep, further developing the sound that s made their previous four outings so alluring.informed by a range of cues that reflect the pairs influences, you can sense dub, ambient, minimal, a love for eerie melodies and raw deepness permeating from this ep’s start to finish. the a side kicks off with -on the floor- - a nod to the fact that the whole ep was crafted literally on the floor (the studio was in transition ) - signals what awaits the listener for the duration of the ep. moody pads, slowly progressing melodies and their signature syncopated drum patterns. -people say- follows next, instantly shifting up a gear - this is a solid dancefloor shaker with a simple but seriously effective bassline that will be lodged in your brain, a sharp hi-hat & clap combo and a disembodied, haunting vocal that chants along to the beat. flip the record over for the title track - -the exchange- - a reverb-drenched ethereal club cut that gets it s unstoppable sense of motion from the irresistible percussion workout, while the squelchy acid line adds that extra rawness. rounding off the ep -sideways- signals a distinct nod to detroit. no homage in sight though - it s been carefully distilled via their own signature processes resulting in a somewhat emotional, dubbed out track - perfect supplement for when you re starting to land back to earth

why why why by the woodentops is a turntable hit in the birth of the balearic club scene. arriving first in 1985 as a mix by adrian sherwood, a regular amnesia track and again in 1987, as a live and far more up-tempo version from a number one live album.

hannah hollands iconic batty bass makes a welcome return back on wax with main man josh caffe joining forces with the belgian production dons the subs (lektroluv) delivering a slice of deep underground electro techno brilliance. an all out acid remix from posthuman (i love acid) flipped with a tripped out, driving, hypnotic remix from aerea negrot (bpitch control/rush hour/moshi moshi) make this an essential vinyl release.

nice price deal !!! gigolo recoding artist steril comes up with an acid-house / electro (breaks) driven track and a top lÜtzenkirchen remix

anarchy in the house of sagesse is a head first lunge through the shadows of the dance-floor. it s the distant echoes of a wild hells angels lsd party. wayward hallucinations from deep within the crypt. battery acid techno cooked on melted tape reels. the sounds of collective euphoria broadcast from deep within the serbian warehouse. a debut record from a fresh irish hell raiser

valere aude, the debut album from romans, a collaborative project between new york techno producer gunnar haslam and vienna-based acid evangelist johannes auvinen (aka tin man). featuring 12 tracks of hallucinogenic, psychedelic techno, valere aude is an acid-etched trip to the outer reaches of the mind.

shadow child returns with his connected collaborations album. album sampler 2 of 2 features his official rework of the future sound of london’s seminal ‘papua new guinea’, ‘err’ offering it s bouncing bassline and skippy 909 hats with huxley and finally ‘gacid’, which is possibly the friendliest acid tune you’ll hear with the elusive supertanker.

love notes from brooklyn offers up this platter from a very exciting new brooklyn artist, subtenant. as it says on the tin, the artisanal acid ep is heavy on the 303 squelches and emotional content. each track has a unique pairing of soul and heavy acid funk. evergeen soul is the clear lead track here, using a female snippet to keep this otherwise tough little number dancefloor friendly. this track is then reworked by detroit underground darling, d marc cantu, who pitches things up into funky rave territory. the flip side sees the title track feature the most soulful chords on the entire record, and then on the b2 the artist himself takes to the mic on know how it feels. this whole ep feels live and direct from the brooklyn underground.